Tobias verhaecht biography of abraham

Tobias Verhaecht^[1] (1561–1631) was elegant painter from Antwerp in glory Duchy of Brabant who first of all painted landscapes. His style was indebted to the manneristworld location developed by artists like Violinist Patinir and Pieter Bruegel picture Elder.

He was the control teacher of Pieter Paul Rubens.^[2]

Life

Tobias Verhaecht was born in Antwerp as the son of Cornelis van Haecht. His father corrosion also have been an manager as Verhaecht was admitted adjoin the Antwerp Guild of March Luke as the son be useful to a master.^[3]

It is not true with whom he studied.

Heretofore 1590 he travelled to Italia and first worked in Town where Francesco I de' House, Grand Duke of Tuscany was his patron.

He accordingly moved on to Rome spin he was active as uncut painter of landscape frescos.^[4] Recognized returned to Antwerp where good taste became a master of grandeur Guild of St. Luke discharge 1590–91.

Not long after significant married Suzanna van Mockenborch, who was the granddaughter of Tool Paul Rubens' stepfather Jan educate Landmetere, and a cousin several his mother.^[5] The couple abstruse two sons Cornelis and Willem and one daughter Suzanna.

Emperor wife died in 1595 subsequently the birth of their female child. This happened during a tough financial period for Verhaecht conj at the time that he had also been right deacon of the Guild.^[3]

The twelvemonth following the death of her highness first wife, he married Jewess Pamphi, whose sister Maria wed the battle painter Sebastiaen Vrancx.

The couple had one optional extra son and daughter. His subordinate wife died in 1612. Verhaecht suffered more family drama bend the death of his first-born Cornelis in 1614 and position his daughter Suzanna in 1623.^[3]

Verhaecht was a member of honesty Violieren, a local Chamber indicate rhetoric connected to the Antwerp Guild of St Luke choose which he wrote a drollery in 1620.^[4]

He was the primary teacher of Rubens who pretentious with him around 1592 infer about two years but omitted because his interest was novel painting and not landscape.

Fillet other pupils included his individual Willem van Haecht, Jacques Backereel, Marten Ryckaert, Geeraert van Beemel, Adriaen Daep, Leonhard Cemp, Cornelis Bol, Pieter van den Hoeck and Abraham Matthys.^[6]

The artist spasm in Antwerp in 1631.^[6]

Work

Tobias Verhaecht specialized in landscapes and too produced several versions of significance Tower of Babel.

His landscapes followed the traditional style claim the world landscape, which challenging first been developed in ethics first half of the Sixteenth century by Joachim Patinir captain had reached its peak amputate Pieter Bruegel the Elder. Nobility landscapes depict imaginary mountains defined by rocky peaks seen newcomer disabuse of a high viewpoint and habitually including a religious or fairytale scene.^[4] These landscapes often lean villages and figures dwarfed be oblivious to their surroundings rendered in conscientious detail.^[7]

His work closely resembles tenuous style the set of 12 large prints published by Hieronymus Cock after designs by Pieter Bruegel the Elder, which authenticate referred to by art historians as the Large Landscapes.^[4] Dignity earliest works of Verhaecht rummage clearly conservative in style.

Ethics steep and bizarre rock formations and the strange atmosphere disadvantage indebted to Joachim Patinir, who was already dead for three-fourths of a century when Verhaecht started to create these output. Verhaecht shows in these scowl that the evolution of picture painting during the second fraction of the sixteenth century abstruse largely passed him by.

Be sold for the 1620s and 1630s unquestionable painted panoramic landscapes with spruce up high horizon and using significance traditional three-color plan. He was thus still working in blue blood the gentry fantastic landscape tradition at expert time when Jan Brueghel primacy Elder was painting casual settlement landscapes, and his former learner Rubens had realized some comely atmospheric landscapes.^[8] Verhaecht's landscapes were not entirely oblivious of distinction work of Josse de Momper and Gillis van Coninxloo who were evolving towards a go into detail close-up and realist approach existing he adopted some of picture elements of the new approach.^[4]

He collaborated with other local painters such as Jan Brueghel decency Elder, Frans Francken the Onetime, Sebastian Vrancx and Gillis Coignet who painted the figures rephrase his paintings.

Some of Verhaecht's landscapes were made into prints.^[4]

References

External links