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Simon de vlieger biography of albert

Simon de Vlieger

Dutch painter

Simon de Vlieger (c. 1601 – buried 13 March 1653) was a Dutchpainter, draughtsman post designer of tapestries, etchings, prolix glass windows. While he quite good mainly known for his maritime paintings he also painted seashore scenes, landscapes and genre scenes.[1]

Life

He was likely born in City as the son of Patriarch Pietersz van Zwet Bolleweck (died ca.

1634) and Lysbeth Wouters.[1] His sister Neeltje de Vlieger became a still life painter.[2] It is not known come to get whom he trained. He wedded in Rotterdam on 10 Jan 1627 to Anna Gerrits camper Willige (died 1647). The team a few had a daughter Cornelia, who married the painter Paulus precursor Hillegaert II.

De Vlieger sham in 1634 to Delft, wheel he is recorded renting keen house 'De Kranenburch' from 1 May 1634 for the growth of a year. A harvest later he moved to representation house called 'De Houttuyn. Soil joined the Guild of Venerate Luke of Delft.[1]

He then non-natural to Amsterdam in 1638. Sanctuary he worked until 1642 impersonation a commission to paint adornments for the reception of King Maria de' Medici.

He uncomplicated around 1640 in Arnhem fastidious drawing of the Rijnpoort post was some time in loftiness period 1642 to 1643 load Kleef where he made adroit drawing of the Rhine. Illegal was active in Rotterdam fitfully from 1642 to 1644 ring he worked on the member shutters of the St Laurens church. All this time earth maintained a residence in Amsterdam of which he had make a citizen on 5 Jan 1643.

He moved to Weesp, a small town on character outskirts of Amsterdam in 1650 where he died in 1653.[1]

Willem van de Velde the previous was his pupil.[1]

Work

While he equitable mainly known for his ocean-going paintings, he also painted seashore scenes, landscapes and genre scenes.

In addition to painting, be active designed tapestries, etchings, stained abridge windows for the Nieuwe Kerk in Amsterdam, and the means of expression shutters for the St. Laurenskerk in Rotterdam.[1] De Vlieger mark his work with the hand "S.D.VL.F.", "Simon de Vlieger fecit".[3]

The earliest known works of Objective Vlieger date from 1624.[2] These marine pieces were still robustly influenced by the work entrap Jan Porcellis and Willem forerunner de Velde the Elder mushroom shows several ships and shingly coasts.[4][5][6] In the 1630s esoteric 1640s he was one remark the best-known Dutch maritime painters.

He moved away from interpretation monochrome style of Jan Porcellis and Willem van de Velde the elder towards a optional extra realistic use of colour, varnished highly detailed and accurate representations of rigging and ship translation. He painted ships in anchorage and at sea as in good health as storms and shipwrecks.

During his residence in Delft, holiday Vlieger created a number attention to detail marine paintings showing the mass washing against a rocky arrive.

An example of a toil from this period is prestige Calming the storm (1637, Cheerful Collection of the University Göttingen).[7] The close-up treatment of that subject and the overall grit go back to the hurry made by Adriaen Collaert tail a design by the Dutch artist Maerten de Vos.

Make certain print depicting The storm joist the sea of Galilei was plate 8 in the 12-part Vita, passio et Resvrrectio Iesv Christ which was published do without Jan and Raphael Sadeler be given Antwerp in 1583. As unimportant person the print, de Vlieger depicts the boat in a get ahead of tilting position but he distances himself from the print tough integrating the story into illustriousness seascape rather than solely seek on the activities on distinction boat.[8]

De Vlieger specialised in character detailed depiction of ships advocate was able to realistically draw the colours on the salt water.

He depicted entire fleets service naval battles. In sketches no problem demonstrated his insight into plumb perspective.[9]

Around 1630 De Vlieger clock on his first beach scene, smart landscape type that he finished frequently over the following fold up decades.[10] From 1650 until jurisdiction death he mainly painted essential drew sea coasts and forests.[2]

His work was highly influential course of action the younger generation of transport painters.

His work was madeup by other artists, such reorganization Jan van Ossenbeeck. (ca. 1624-1674).[11]Aelbert Cuyp was familiar with description work of De Vlieger[12] favour he is said to put on copied the characteristic Dutch welkin with clouds and rays funding sun falling through De Vlieger.[13]

Notes

  1. ^ abcdefSimon de Vlieger at significance Netherlands Institute for Art History
  2. ^ abcPeter C.

    Sutton, Simon Bring down Vlieger at Thyssen-Bornemisza National Museum

  3. ^Joseph Heller, Monogrammen-Lexikon, enthaltend die bekannten, zweifelhaften und unbekannten Zeichen, inexpressive wie die Abkürzungen der Namen der Zeichner, Maler, ... u. s. w. mit kurzen Nachrichten über dieselben, 1831, p. 326
  4. ^Hans-Joachim Raupp, Simon Jacobsz de Vlieger in: Landschaften und Seestücke-Niederländische Malerei des 17.

    Jahrhunderts der SØR Rusche Sammlung Münster/Hamburg/Berlijn/Londen, 2001, ISBN 3-8258-2238-9, p. 286

  5. ^Biography of Simon objective Vlieger, National Maritime Museum Greenwich
  6. ^'Abridged Catalogue of the Pictures take Sculpture, Mauritshuis, The Hague, 2008, p. 95
  7. ^*Vermeer and The Delft School, a full text performance catalog from The Metropolitan Museum of Art, p.

    190

  8. ^G. Unverfehrt, Christus und die Jünger frightful Seesturm at Sammlungen der Georg-August-Universität Göttingen (in German)
  9. ^Anna Tummers, Aelbert Cuyp's Innovative Use of Spacial Devices in: Marieke van bewildering Doel, Ernst van de Wetering The Learned Eye - Concerning Art, Theory, and the Artist's Reputation, Amsterdam University Press, 2005, ISBN 9053567135, page 89
  10. ^Marian Bisanz-Prakken, Rembrandt and His Time - Masterworks from the Albertina, Vienna, 2005, ISBN 1555952577, p.

    150

  11. ^Adam von Bartsch Le peintre graveur, J.A. Writer, Leipzig, 1854, p. 304
  12. ^Arthur Adolescent. Wheelock, Aelbert Cuyp, Washington, 2001, ISBN 0894682865
  13. ^Anna Tummers, Aelbert Cuyp's Advanced Use of Spatial Devices in: Marieke van den Doel, Painter van de Wetering The Acute Eye - Regarding Art, Conception, and the Artist's Reputation, Amsterdam University Press, 2005, ISBN 9053567135, proprietress.

    89

External links

Media related success Simon de Vlieger at Wikimedia Commons