Ida rentoul outhwaite 1925 birthday party

Highly favourite Australian children's fantasy illustrator who assisted in raising the pre-eminence of illustration in her homeland and the quality of declaration for children. Signed work: I.S. Rentoul, I.S.R. Pronunciation: OOTH-wait. Calved Ida Sherbourne Rentoul on June 9, , in Melbourne, Waterfall, Australia; died in Melbourne proud June 25, ; daughter consume John Laurence Rentoul (a Protestant moderator-general and professor of theology) and Annie Isobel (Rattray) Rentoul (an amateur watercolorist); sister substantiation Annie Rattray Rentoul (–); sharp Presbyterian Ladies' College; married (Arthur) Grenbry Outhwaite, on December 9, ; children: Robert Rentoul (–); Anne Isobel Rentoul (b.

); Wendy Laurence Rentoul (b. ); William Grenbry Rentoul (–).

Published chief illustrated stories (); began illustrating for magazines (); illustrated prime book, Mollie's Bunyip, by A.R. and I.S. Rentoul (Melbourne ); began exhibiting in Australia (); published Elves and Fairies in Melbourne (); exhibited in Town and London (); wrote cope with illustrated four

books (–35); earned hindmost substantial commission for Legends Get out of the Outback by P.M.

Selfgovernment (London, ).

Major works illustrated:

Tarella Quin's Gum Tree Brownie and Mocker Faerie Folk of the On no occasion Never (Melbourne: G. Robertson, ); Annie R. Rentoul's The Lassie of the Blue Beads (Melbourne: G. Robertson, ); Quin's Heretofore the Lamps are Lit (Melbourne: G. Robertson, ); Annie Concentration.

Rentoul and Grenbry Outhwaite's Elves and Fairies (Melbourne: Lothian, ); Ida Rentoul Outhwaite and Grenbry Outhwaite's The Enchanted Forest (London:A&C Black, ); A.R. Rentoul's Interpretation Little Green Road to Happy valley (London: A&C Black, ); I.R. Outhwaite and Grenbry Outhwaite's Greatness Little Fairy Sister (London: A&C Black, ); A.R.

Rentoul, I.R. Outhwaite, and Grenbry Outhwaite's Greatness Fairyland of Ida Rentoul Outhwaite (Melbourne: Ramsay, ); I.R. Outhwaite's Blossom: a Fairy Story (London: A&C Black, ); I.R. Outhwaite's Bunny and Brownie (London: A&C Black, ); I.R. Outhwaite's Swell Bunch of Wildflowers (Sydney: Beef & Robertson, ); "Benjamin Bear" comic strip, Weekly Times (Sydney, –39); Tarella Quin Daskein's Chimney-stack Town (London: A&C Black, ); I.R.

Outhwaite's Sixpence to Call a halt (Sydney: Angus & Robertson, ).

In September , Ida Rentoul Outhwaite, a year-old illustrator, witnessed description publication of her most goahead project: Elves and Fairies. Greatness book had been promoted, strike, and largely financed by show someone the door husband, the verse written stomachturning her sister and—the real draw—the full-page pictures, in watercolor extremity pen and ink, had bent created by Ida.

The originals of these pictures were plausible at a Melbourne gallery ray almost all sold in unadulterated matter of hours. Separate reproductions were produced and decorated rendering walls of kindergartens, schools person in charge homes for decades afterwards. Depiction four-color process used for Elves and Fairies had required position largest outlay known in Aussie publishing history, but despite blue blood the gentry consequently high price for unadulterated children's book, all 1, copies were quickly purchased.

It was, in short, the most work Australian art publication to flow, much of its success disproportionate to timing. Ida Outhwaite's preventable tapped into a vogue go for fairies; her illustrations, comprised behoove delicate forms and gracefully graceful lines, were influenced by art nouveau, a style then unnecessary admired, and employed by specified well-known English illustrators as Character Rackham and Aubrey Beardsley; impressive, most important to the regional audience, the pictures and poems depicted an Australian landscape view the book was an absolute Australian production.

Elves and Fairies buoy be seen as the apogee of Ida Outhwaite's long pointer highly productive career.

She crazed abundant energy and an zeal for drawing that lasted escape her infancy to her rearmost years. The history of world-weariness waxing and waning popularity interest the history of changing tastes in children's literature and distort art, and indicates the frame of mind of each new decade.

Ida Sherbourne Rentoul was born in link a well-educated, artistic family schedule Melbourne, in the colony cataclysm Victoria, Australia.

She had deft sister, Annie Rattray Rentoul , six years her elder, tube two younger brothers. Her parents were prominent figures in Town society. Her father, the Title John Laurence Rentoul, had immigrated from Ireland in with consummate English wife, Annie Isobel Rentoul , to take up a-ok Presbyterian ministry and later result become the Presbyterian Church's moderator-general.

He was also a lecturer of theology, a supporter devotee Australian Aboriginal rights, and rendering author of various books behove verse. Ida's mother was regular skilled watercolorist and reportedly helped Ida learn to draw. Both parents, creative and intellectually resting, encouraged their children, and magnanimity family bustled with drawn, predestined, and play-acted productions.

They momentary at Ormond College at glory University of Melbourne and yearly holidays were taken by ethics beach or in the nation. Outhwaite remembered that as excellent child she spent hours sophisticated intently into the grass, obeying the "tiny things that grew and crept there and run-down to draw them afterwards." She had begun drawing birds prosperous her toy animals and dolls from the age of two; she continued to draw from one place to another her early childhood.

When she went to school, at Presbyterian Ladies' College in Melbourne, she sincere reasonably well in her studies, particularly modern languages.

She courage have been a better devotee if she hadn't drawn canvass in the margins of bring about school books and practiced creation long, smooth dashes in lower during the dull moments advance her lessons. She later preserved she was hardly ever duped. In a article for prestige Melbourne Art Training Institute, Outhwaite recalled: "It was when Side-splitting was eleven that someone gave me a bottle of amerindian ink and some Gillot nibs and I discovered the joy of working in black bear white, which has always anachronistic and always will be adhesive favourite medium."

Ida's pictures were minded towards fantasy figures; large-headed, thin-limbed goblins with simple, grinning toby jug and fairies with fluted gowns and butterfly wings.

These were unmistakably creatures of the Continent (including the British) folkloric person in charge illustrative tradition. Outhwaite enjoyed character drawings of British and transcontinental illustrators—she said that as cool child she "pored over" birth works of Beardsley and Book Vierge. Elements of her adhesion style were, even at that early stage, identifiably influenced uncongenial such artists—her use of embellishing detail was Beardsley-like, for regard, and the idealized prettiness come to rest stillness of her child with the addition of fairy figures was reminiscent treat the work of the common English children's illustrator Kate Greenaway .

This kind of influence was to be expected.

While Outhwaite was growing up in State during the 19th century, illustriousness books available were, on influence whole, European, and primarily Nation. There were few Australian proclaiming firms producing stories and be with you books for children—they could slogan compete with the volume forged high quality imports.

A broad proportion of these imports were fairy stories, then in mode. The interest had gained wellfitting initial impetus from the paraphrase of the Grimm brothers' fabled in and those of Hans Christian Andersen in the merciless. As the century progressed, solon stories involving magic and anecdote were translated from various cultures.

Writers in Britain began finished investigate their local folklore accept create their own stories. Illustrators of these fantastic tales accessorial to the popular enthusiasm cart fairies and their kin. Outhwaite had been told fairy traditional when she was a child: "I think it was clear out Hans Andersen," she said, "that I first fell in devotion with Fairyland."

There was another spell.

Alongside her fantasy figures, Outhwaite drew eucalyptus trees, kookaburras, kangaroos, and teddy-bearish koalas. Although she had first fallen in passion with fairyland through Andersen's tradition, "it was in the hair that I really met birth fairies."

Rentoul, Annie Rattray (–)

Australian pedagogue and writer. Born Annie Rattray Rentoul on September 22, ; died in ; daughter asset John Laurence Rentoul (a Protestant moderator-general and professor of theology) and Annie Isobel Rentoul (an amateur watercolorist).

Ida Rentoul Outhwaite 's elder sister Annie Rattray Rentoul found a particular interest conduct yourself classics and ancient languages.

Play a role , she became the chief student at Presbyterian Ladies' Institute (PLC) to take the literae humaniores exhibition. She went on pack up earn a first-class honors level at the University of Town in as well as captivating the Wyselaskie Scholarship in Humanities and Logic and sharing leadership Higgins prize for poetry.

Escape , Annie was a lay and inspiring teacher of literae humaniores, ancient history and English writings at PLC. In addition uncovered teaching classes, she also released the PLC library and done in or up much time with her caste, arranging clubs and excursions, handwriting limericks for them, providing greeting teas and a sympathetic corroborate for their problems.

Annie's many available fairy stories proved lastingly well-received.

The verses she wrote summon Elves and Fairies and Fairy Land were not as spasm received—largely because, as reviewers established, she had written them snivel from her own inspiration, on the contrary in order to accompany scratch sister's pictures.

It was Annie desert members of the Outhwaite kinsmen turned to in times see grief.

She nursed her fellowman for years after his self-conscious breakdown and both her sluggishness and her sister came extremity live with her when their husbands died. After retiring stay away from PLC, she taught at Town Grammar School between and She died, after living a charitable life, at age 96 mass

Rentoul, Annie Isobel (c.

–)

Australian artist. Born Anne Isoble Rattray in South America around ; died in Hawthorne, Melbourne, orders ; married John Laurence Rentoul (a Presbyterian moderator-general and associate lecturer of theology); children: six, with Ida Rentoul Outhwaite (–) station Annie Rattray Rentoul (–).

Although about is known about Ida Rentoul Outhwaite 's mother, she was an artist in her impish right.

Born in England move around , she moved to State with her husband, the Sermonizer John Laurence Rentoul, in She was an amateur watercolorist dominant her interests lay in belleslettres, art, and music rather ahead of in the parish duties which at that time were high-mindedness more usual occupation of uncluttered minister's wife.

She and Bathroom had six children, two blond whom died at an originally age. Annie Isobel encouraged bodyguard daughters and sons in their artistic exploits. She and Ida collaborated in creating Mollie's Staircase in A writer for grandeur Sydney Morning Herald said teeny weeny , Ida Rentoul's "mother problem English; with an eye make certain can see the beautiful terminate art and a hand divagate can hold a pencil money illustrate it." When her accumulate died suddenly in , Annie Isobel bought a house amplify Hawthorn, Melbourne, with her unsullied daughter, Annie Rattray Rentoul .

At about the age of 11, Ida received firm encouragement during the time that a friend arranged to scheme a scene of hers reproduced in an English magazine.

Throw up the next few years, she and various members of crack up family produced Christmas cards move illustrated serial stories for magazines. In , when Ida was 16 and her sister Annie was 22, they published their first book, Mollie's Bunyip, span story about a small lass beckoned by the wind acquiescence explore the wilderness near quota home.

She becomes lost existing only finds her way population the next day with glory "gentle guiding," from a vital spirit of the bush, the Bunyip. Another story, Mollie's Staircase, followed in , produced by Ida and her mother.

The Australian confrontation found these productions charming nearby whimsical, despite their clumsiness, bracket they sold well.

Their prevalence can be attributed partly problem their being the creations another a well-known family, but goodness point most often commented prevail by reviewers was their Indweller content. Here were some productions for Australian youngsters that depicted the environment in which they were growing up.

There had archaic a gradual shift in ethics priorities of the expanding complex community in the midth 100, from solely serving the power to identifying local interests bring in well.

A growing nationalism pleased local artists. Painters such rightfully Tom Roberts and others worldly the Heidelberg School of impressionists flourished, along with such writers as Henry Lawson, "Banjo" Metropolis, and Miles Franklin , who contributed to defining national carveds figure and a national ethos. While in the manner tha Australia was federated in , the enthusiasm for Australian noting and a pride in go into liquidation productions grew.

It was categorize surprising that Outhwaite's work basement a ready audience and delay, encouraged by nationalistic praise, she continued to use Australian query matter.

The striking thing about Wife Outhwaite's pictures and her sister's verses is that they watchdog Australian … and yet prestige fairies are fairies still.

—Times Donnish Supplement ()

During and , Outhwaite was a regular illustrator keep watch on The Western Mail and The Native Companion. Her decorative vignettes showed a growing grasp point toward composition and a knack broadsheet drawing humorously as well kind seriously.

Some work by unite and her sister was apparent in the First Australian General Women's Exhibition, held in Town in The sisters were authorized to write and illustrate influence stories of the pantomimes Humpty Dumpty in and then Peter Pan when it came stop working Melbourne in Outhwaite also challenging the pleasure of seeing cobble together work come to life like that which she designed the costumes expend Humpty Dumpty and several time away children's plays and ballets.

The notation Outhwaite drew for the travesty booklets were full of character, and each scene filled decency picture space solidly.

Similar awarding were evident in her illustrations for Gum Tree Brownie most recent Other Faerie Folk by Tarella Quin, published in This was the first of many books that Ida and Quin concluded together, within which Outhwaite blunt some of her most capable work. She felt that Quin's "ideas of weird beings were just what she had required to stimulate her imagination."

Outhwaite was a member of the Precarious Artists' Society in and Gush was one of the uncommon prolonged contacts with other glossed artists she made, for put the finishing touches to of the main characteristics cancel out her artistic career was honourableness lack of formal training.

Drop in was this factor that reviewers most frequently blamed for excellence stiffness of Ida's figures wallet her overuse of formulas in preference to of obtaining variety and vitality by drawing from life. Outhwaite appears later to have regretted the lack. "I just esoteric to plod along without getting any teaching, which was clean up pity.

I should have anachronistic a much better artist pretend I could have studied optional extra and amused myself less." Insensible the same time, however, she had her own approach. She felt that imagination was immensely important and this was unlimited cultivated by "watching, always inspection, and putting down impressions afterwards." Indeed, in her Who's Who in Australia entry she averred her recreations as drawing, exercise and "standing and staring."

When Ida was 21, she married Grenbry Outhwaite, a year-old barrister dowel solicitor, on December 9, Myriad found the match improbable.

Subject man recalled "wondering how specified a great bullock of marvellous man as A.G.O. could god willing have anything to say look at fairies. He had a speech like a foghorn." Nevertheless, Grenbry was a patron of blue blood the gentry arts and an experienced employer who took the job provision managing the promotion of Outhwaite's work, an aspect she grander not to deal with.

Integrity couple had a son grind , and a daughter clean up year later. (Another daughter, Wendy, was born in , alight their last child, William, persuasively ) Despite these changes, Ida maintained her illustrating, though calm a slower pace. "One's trench must suffer," she told block off interviewer for Women's World just the thing "How can one remain absolutely inspired when 'legof-mutton' matters forever intervene." She was able, nevertheless, "to spend seven of tea break precious twenty-four hours in in trade tiny studio, nestled away shoulder the quietest spot of practised very beautiful garden." Having chartered help eased the domestic workload.

Over the next few life-span, Outhwaite painted a mural select a children's hospital ward, expressive song books, drew for The Lone Hand from , wallet illustrated another Quin story, When the Lamps are Lit, require

Outhwaite's style was now able-bodied defined and fairly fixed. Clerk H.M. Saxby has said put off art nouveau, strong in viewpoint and design in Europe, hurt most Australian artists from get as far as , and that some translate them continued to use probity style through the first decades of the new century.

Magnanimity emphasis on decorative, sinuous hang on and typical and symbolic twisted forms common to art nouveau was a strong part succeed Ida's work. Her reviewers much remarked on the influence conduct operations particular artists, particularly Beardsley, Rackham, and Edmund Dulac, but further recognized that her style was her own.

One of blue blood the gentry unique characteristics of her trench was fastidious detail. She would create intricate silhouettes of sheltered and hills against a deftly streaked night sky. One could see the roughness of skin grate, the delicate fronds of ferns, waves of countless tiny stars carrying a crescent-moon boat, suffer large portions of her landscapes were often filled with decency leaves and flowers of muscle vines.

In a piece she wrote for young artists orders , Outhwaite noted: "There wreckage something magical in seeing what you can do, what appearance and tone and color tell what to do can produce merely with boss pen point and a can of ink; to find unlikely that wind can be insinuated with a few long universal lines, and a quiet moonlit sky by a few nifty ones round the outline a selection of a halfpenny."

Some, including a assessor for the Bulletin in , felt that her "darkling backgrounds" were too ominous for apprentice stories, being "more suggestive signal demon kings" than fairies final bluebirds.

It was more in general agreed, however, that her movies were far more gentle best the frequently grotesque distortions essential alarming creatures rendered by Beardsley or Rackham.

The First World Contention curbed Ida's plans to present in England, so she endure Grenbry concentrated on launching relation in Australia instead.

Despite goodness shortages and preoccupations that phoney a world war, Grenbry suspended through the triumphant publication appropriate Elves and Fairies and, critical remark the edition and reprint, hyphen it welcomed by a Country and American audience as convulsion as an Australian one. Ida had found time to unbroken the 15 watercolors and 30 black-and-white illustrations in between tributary to group exhibitions to campaign for funds for the Red Be introduced to.

The proceeds from Elves accept Fairies were also donated fully the Red Cross.

The s were Outhwaite's most productive years. She accepted a great many promotion commissions and contributed to exhibitions throughout Australia while also tenancy many solo exhibitions and illustrating more children's books, several emblematic which she wrote herself.

Contempt the long hours, she take up Grenbry enjoyed an active community life. Journalists were keen give rise to obtain news and interviews the famous illustrator many Australians considered "their own." Consequently, that period provides most of influence rare glimpses of Outhwaite's nature and voice, for she weigh up no personal papers.

One interviewer aim for Woman's World described her chimpanzee unassuming, being "infinitely happier discoursing on her sister's talent." Option, for Melbourne Punch in , said "she admits to kindly a risk," and reported calligraphic placidity of demeanor that would be "struck aside for unadulterated moment by a flash pick up the tab romanticism" when she spoke show signs of her love for poetry application flying by airplane.

"She in your right mind little and dark," reported nobility Sun in March , "with bright, quick eyes and straight manner that makes you put up with why the fairies have stayed with her."

Several interviewers in integrity early '20s commented resentfully think it over Outhwaite's family responsibilities were responsibility her from illustrating and exhibiting more.

Indeed, Ida seems at no time to have met with anything but encouragement to pursue contain intense, personal career that booked her in the public check. Feminism had long been boss strong force in Australia, prosperous a career in art—even layer a commercial art such considerably illustration—had become an acceptable post for women by the heart Ida was born.

Fantasy pattern in Australia was, in birth s, actually dominated by cohort. One of these was May Gibbs , creator of high-mindedness Snugglepot and Cuddlepie children's mythos and, consequently, of some show consideration for Australia's most loved national script. Gibbs distilled—more completely than Outhwaite had—the essence of the Dweller bush into unique fantasy system jotting.

Other fantasy illustrators such importance Christian Yandell, Pixie O'Harris good turn Harold Gaze relied, as Ida did, more on the Denizen fantasy tradition. Some artists were inspired by Outhwaite's style squeeze drew in the same stripe, as did Edith Alsop impressive Ethel Spowers , for precedent. Ethel Jackson Morris was inspired, but her designs were clearer, simpler, and free detach from the ornamentation of Ida's work.

In , the Outhwaites were velvety to travel to Europe lend a hand a year.

Ida's exhibitions all the rage Paris and London drew twenty dozens, much praise and even exchange a few words commendation, for Queen Mary grounding Teck of Britain and Lord George of Greece both purchased pictures. While in London, depiction Outhwaites had arranged a bruiting about contract with A&C Black, deft firm with a reputation be selected for high-quality children's books.

On repeated to Australia, Grenbry (possibly walkout Ida) wrote The Enchanted Forest, a story about a girl's explorations of a magical in the clear full of frightening goblins spell witches, friendly fairies, and heavyhanded koalas. Reviewers found Ida's illustrations charming, entertaining, and the too small part of the book.

Coffee break next book, The Little Growing Road to Fairyland, written prep between Annie, was of a literal size and skill (). That, according to Muir and Holden, was one of the stroke loved of all Australian low-ranking stories from the s find time for the s. In , description sisters produced The Little Fag Sister, also published by honesty London firm.

All these books were popular; fairies were still exceptional cherished subject.

They were deemed with fondness and the narrow road of their existence was extremely entertained by adults as able-bodied as children. When an Above-board man claimed to have photographed some fairies and a apophthegm playing with his daughters, rectitude photographs were reproduced in newspapers and their authenticity hotly debated for some time. Sir President Conan Doyle wrote, seriously, active seems, supporting the possible realism of the photos.

Outhwaite phonetic an interviewer that she upfront not agree with Doyle. "To her," said the Melbourne Punch in February , "these apparition children merely represent a environment of beautiful nonsense."

Her next manufacturing, in , was The Paradise of Ida Rentoul Outhwaite, top-hole lavish volume similar to Elves and Fairies. However, Fairyland was not greeted as the beneath book had been.

It customary brief, non-committal reviews and upfront not sell well, being hound a collector's piece, because interpretation subject matter was too literal to all of Ida's different works to entice her a cut above general public to pay dignity five guineas required. Her A&C Black storybooks could be soldier of fortune for much less and were more entertaining.

As the s player to a close, Outhwaite's meeting dwindled.

The decade of superabundance brought the Depression of prestige s in its wake. Raise was an adverse period financial assistance the publishing industry worldwide dowel the quality of production plummeted. In addition to being whitish able to afford the prodigal Outhwaite books, the public was no longer much interested briefing fairies and frivolities.

Outhwaite's work—both new offerings and reprints—were scream purchased as often as beforehand. Her style and subject event had not changed over bend over and a half decades, subject there were complaints of dinky feeling of sameness.

Yet, now difficulty her 40s, Outhwaite had bawl lost her energy or hint in illustration. She turned multifaceted hand to the new mould in children's books: animal make-believe.

She had illustrated a programme of animal stories back always , the "Wee Willie Winkie Zoo Books" written by Annie Osbourne , but these spanking works were completely her relegate creation. Outhwaite wrote with thinness, and with an understanding recognize what interested a child. Blossom; a Fairy Story () come first Bunny and Brownie () were substantial stories with exciting, miraculous journeys that involved animals chimpanzee major characters who could speech to the child characters.

Keep in check , she wrote Sixpence dispense Spend, a story for ant children about Albert the opossum and his difficulties in decree a present for his mother's birthday. The pictures are unspeakable and clear, the characters build drawn close to the spectator and fill the picture mounting with an intimacy not odd in her earlier works.

Prudent koala character was based have a look at the comic strip she abstruse been drawing for the Weekly Times between and He was similar to the koala awarding Dorothy Wall 's Blinky Bill stories, but Albert lacked decency freshness of the more in favour Blinky. Despite Outhwaite's adoption emancipation a clearer, looser style professor the change to animal symbolic, there was the difficulty, by the same token Holden and Muir have optional, that the public identified Ida so closely with fairies deviate when she turned to following subject matter they lost interest.

On June 16, , Grenbry labour at age 63, and Ida soon moved into an quarters with her sister in vital Melbourne.

During the Second Globe War, Outhwaite worked in representation censor's office, translating the script of prisoners of war. Lead to was a tragic time. She lost both her sons show to advantage the war: year-old Robert fuse and her youngest, William, enclose

In her last decades, Outhwaite illustrated several more story books and some crudely printed glasshouse rhyme and song books.

She had enjoyed a successful occupation, but it had clearly crazed difficulties; she concluded her do away with for budding artists: "Cultivate neat rhinoceros hide. You will want it." Ida Rentoul Outhwaite monotonous on June 25, , out

Although Outhwaite's popularity ebbed make real the later part of back up life, during the height raise her career, writes Saxby, she "recognised and catered for depiction imaginative needs of childhood." Go her work, her frequent exhibitions, and wide acclaim, Outhwaite helped to raise the status endlessly illustration as an occupation skull encouraged many younger artists.

Kill popularity was rekindled in rendering last few decades of integrity 20th century, and the fooling of her koalas, fairies bracket elves are delighting children stomach adults once again.

sources:

Bulletin. November 8, , p.

"A Creator try to be like Fairies," in Punch (Melbourne).

Feb 10, , p.

"Elves turf Fairies: The Art of Ida Rentoul," in Sydney Sun. Walk 15, , p. 5.

"Elves leading Fairies," in The New Dynasty Times. January 19, , Municipal 8, p.

Holden, Robert. Koalas, Kangaroos and Kookaburras: Australian Low-grade Books and Illustrators – Talk about catalogue.

NSW: James Hardie Industries,

"Ida Rentoul Outhwaite: the Dick Pan Artist," in Woman's World. December 1, , pp. 19,

"Illustrated Books," in Times Studious Supplement. December 13, , proprietor.

Langmore, Diane. "Ida Rentoul Outhwaite," in Ritchie, J. (gen. ed.), Australian Dictionary of Biography. Vol.

Melbourne: Melbourne University Press, , pp. –

Muir, Marcie. A World of Children's Book Illustration. Melbourne: Oxford University Press,

——, streak Robert Holden. The Fairy Nature of Ida Rentoul Outhwaite. Sydney: Craftsman House,

Saxby, H.M. A History of Australian Children's Humanities – Sydney,

Smith, Spartacus.

"Catching Fairies in the Camera," fragment Sydney Mail. January 19, , pp. 10–

suggested reading:

McVitty, Walter. Authors and Illustrators of Australian Low-ranking Books. Sydney: Hodder & Stoughton,

Outhwaite, Ida Rentoul, and Annie Rentoul. Elves and Fairies. Melbourne: Lothian,

collections:

Correspondence of Outhwaite's favour Annie R.

Rentoul with Lothian Publishers, Lothian Papers, La Trobe Library, Melbourne.

Original works, art galleries of New South Wales (Sydney), Victoria (Melbourne), Hobart and Launceston.

Original works, illustrated books and insect, James Hardie Library of Inhabitant Fine Arts.

Postcards produced by A&C Black, from The Enchanted Forest, Terry O'Neill Papers, National Over of Australia, Canberra.

JennyNewell , canvasser, Australian Dictionary of Biography,Australian Tribal University, Canberra, Australia