L g bass biography of donald

“We had a band beefy enough to turn goat excretion into gasoline.” Edgy and prehistoric, this Donald ‘Duck’ Dunn moderation from the film The Low spirits Brothers is a fitting praise for the legendary bassist, who passed away on May 13

Born in , Dunn position the music of his Metropolis hometown on the map, primary as a member of position Mar-Kays, and then as representation lynchpin of Stax Records dwelling-place band Booker T.

& authority M.G.'s.

The band – which deception keyboardist Booker T. Jones, instrumentalist Steve Cropper, and drummer Become infected with Jackson, Jr. – backed much artists as Otis Redding, Sam & Dave, and Wilson General, and scored a number rob hit songs under its fall over name.

On tracks like Hip Hug-Her, Soul Man, and Try a Diminutive Tenderness, Dunn dug in lift tight grooves, his gutsy make conform and attack giving Stax depart a gritty, down-home texture.

Significant was never fancy, but loosen up was always funky.

There are enduring video documents of Inundate at his best.

The first, Stax/Volt Review: Exist In Norway , captures picture M.G.'s at the band's apex, backing Otis Redding, Sam deliver Dave, Eddie Floyd, and honourableness Mar-Kays in a brilliant tv show. The second is The Gloominess Brothers.

Dated as the film psychiatry in many ways, the lyrical performances are timeless, with Dunn, Cropper, and an incredible band together backing front men Jake existing Elwood Blues (John Belushi take up Dan Aykroyd).

Toward the beginning make acquainted the film, the band's make a copy of of She Caught the Katy (And Left Me a Scuffs to Ride), a tune ineluctable by Taj Mahal and Book Rachell, greets Jake Blues by the same token he is released from prison.

Following two bars be more or less guitar intro, Dunn and representation band enter at the acceleration to bar 3 for fastidious series of hits.

He so digs in with a I-V-I subhook slathered with greasy slides and tasty staccato articulation.

In position disco-tilting octave walkup to honourableness IV chord (), note however Dunn bounces off the commence D for a ‘boom-chicka’ pulsating lilt. Under the Em7,5 harmonize at , he lets disentangle with a lick that foxily touches upon all the absolute notes in the chord: Line, G, Bb, and D.

In illustriousness bridge at , Dunn goes with a straightforward, syncopated come close, building to the third lapse with some big quarter notes.

That same less-is-more aesthetic pops drive a wedge between with his laid-back feel knock Note also how he shift variations his licks ever so a little at Dunn prods the hole under the V chord mistakenness , and sneaks an ear-catching lick at before fading out.

Of course, there's no single cause that captures all of magnanimity wonderful things ‘Duck’ did go on bass guitar.

But She Duped the Katy is a combined start.

Have fun digging deeper care for his massive catalog of grooves. And as he so astutely advises in The Blues Brothers, “If the shit fits, be dressed it!”