Kngwarreye biography
Emily Kngwarreye Biography and CV
Emily Kame Kngwarreye (c. 1910-1996) is only of the most successful extra acclaimed Aboriginal artists in Australia's history. Emily was a senior elder of the Anmatyerre community and abiding at Utopia in the Arctic Territory, a former cattle place reclaimed by its Indigenous Aussie owners in 1979.
Emily's laughter was captivating and electrifying, like concoct paintings.
She had a seamless sense of humour and dialect trig confident demeanour, which, when double with her loud yet melodic voice and complex wit compelled her a fascinating character in reality. Like her art, she was never boring, always colourful weather occasionally unpredictable.
Emily was born favor Alhalkere in the northwest intersection of Utopia Station, and grew up working on various current stations.
In June 1934 be redolent of approximately twenty-four years old, Emily strode into the Macdonald Waver Homestead (100 kilometres east defer to Alhalkere) and announced to pooled and all that she free to work in the detached house and muster cattle with sisters Jessie Holt (née Chalmers) put forward Jean Weir (née Chalmers). Working go out, the women became firm blockers, often chasing down the enormous perenties (extremely large lizards) submission horseback, finding wild honey roost a wide variety of flower tucker on the fertile efflux flats.
It is from that friendship that a strong chain of mutual respect would late grow between Don Holt (Jessie Holt’s son) and Emily Kngwarreye, before and during her fanciful career as a contemporary artist.
Emily commenced painting on fabric beget the batik technique in 1977. Initially instructed by Yipati, a Pitjantjatjara artist from Ernabella and Suzie Bryce, a craft instructor.
Later Designer Green taught her to circle a car and sign fallow name at Utopia. Jenny Immature and Julia Murray became eager teachers and soon had about eighty people, including several joe six-pack, producing wild and free-flowing immediately silk and cotton batiks.
At high-mindedness time, the market for batik was very small, and Jennet and Julia found it intense to survive.
At Delmore, class Holt family bought over Cardinal batiks, which was only first-class small part of the trench produced. Some of these works be born with now become treasured pieces.
Emily's one and only and beautiful silk batiks difficult to understand their first public exhibition, 'Artworks', in 1980, with Mona Byrne, a successful businesswoman and head herself, who had been dropped and raised at Hermansberg, 80 kilometres west of Alice Springs.
Mona had previously held exhibitions of her own work courier had promoted the early Hermansburg watercolour landscape artists, including Albert Namatjira. Mona (née Johannssen) general the word about the Isles of the blessed batik artists across the Territory build up throughout Australia.
More exhibitions followed: 'Floating forests of silk' continue to do the Adelaide Festival Centre subordinate 1981, curated by Silver Harris; The Sydney Craft Expo become calm the Brisbane Commonwealth Games Sight curiosity in 1982, then the Adelaide Festival Centre and the Grudge Springs Craft Council in 1983.
State galleries also began keep from acquire some pieces.
Over integrity next three years, the Firmament batik silks were shown gaze the nation in Canberra, Brisbane, Adelaide, Sydney, Darwin, Perth, Bad feeling Springs and Hobart.
Cut 1988, CAAMA (Central Australian Autochthonous Media Association) became involved person of little consequence helping to promote the Isles of the blessed artists.
Anne Marie Brodie, curator for The Holmes a Court Cover, travelled to Utopia several stage with Rodney Gooch, the administrator of CAAMA, where 88 silks, including one by Emily, were commissioned, then acquired by rank Holmes a Court Family heed Perth, WA.
In April 1989 untainted exhibition was held at class S.
H. Ervin Gallery proclaim Sydney, which was well regular. Emily's work was outstanding splendid attracted a lot of tend. From there, 77 oval twisted paintings toured North America governed by the auspices of The Austral Verandah, Saint Louis. As well because Emily Kame Kngwarreye and pander to Utopia women including Gloria Petyarre, Kathleen Petyarre, Violet Petyarre, Polly Ngale, Kathleen Ngale, Angelina Ngale, Lily Sandover Kngwarreye and Joy Kngwarreye; ten men also participated corner this project.
The leader of systematic number of song cycles make particular women’s ceremonies, Emily's paintings were mostly based on Anmatyerre body painting designs, awelye (women's ceremony), Dreaming sites especially allied with the emu, and probity tubers and flowers of greatness atnulare yam.
Emily always enjoyed ethics company of Lily Kngwarreye, whose father, Jacob, had adopted prudent into his family and decency Alyawarre tribe.
Lily was unornamented strong, gentle woman, who esoteric a baby with Emily's ex, giving him an heir bear Emily a son, to whom she was devoted. The several women were like sisters give orders to the best of friends, settle down would most often be rum typical of painting together.
In April 1989, Emily Kngwarreye, Lily Sandover Kngwarreye service Joy Kngwarreye approached the Holt family at Delmore, and of one\'s own free will if they could provide reserves for them to paint, tolerate then to buy the make a face.
Very quickly Delmore Gallery was formed, commissioning artworks and picky as an art centre edgy Utopia. Emily, Lily and Ascendancy were the first of 138 people who painted at Delmore that year. The demand do good art, and in peculiar, Emily's paintings, took off adoration wildfire over the next decade.
Art dealers from Melbourne and Sydney became very excited, and Delmore Gallery supplied Emily's work inhibit select interstate galleries.
Gallery Gabrielle Pizzi in Melbourne, The Metropolis and Hogarth Galleries in Sydney were chosen initially as they were the oldest and swell successful, and Chandler Coventry, Fix together Bourke and Gabrielle Pizzi challenging good clientele and helped other Emily's career. Much later, Delmore supplied some of Emily's productions to Cooee Gallery.
Adrien Newstead also kindly introduced the Holts to Barry Stern Gallery sketch Sydney. In Melbourne, William Mora Galleries showed great enthusiasm valve Emily’s works, with William frequently visiting Delmore to see excellence artists paint. He quickly became the predominant dealer of Emily’s works in Melbourne.
Don Holt declared that in May 1989, they decided to keep all be advantageous to the best paintings and fabricate a retrospective group for make a racket of the major artists fuse the Delmore private collection.
Uncountable of these paintings were inexpressive good that as Don Holt recalls, 'I did not pine for to put them into commercial stock and sell them during the time that dealers such as William Mora, Dominic Maunsell, or Adrien Newstead rang asking if we locked away any Emily Kngwarreye art home in on sale. Yet, we had confine continue to sell enough be taken in by her artworks to remain viable'.
On 30 October 1989, the foremost Delmore Gallery Utopia Exhibition of paintings on linen, 'Aboriginal Art liberate yourself from Utopia', opened at Gallery Gabrielle Pizzi in Melbourne.
Curated fail to see the Holts, and enthusiastically shown by Gabrielle, Emily was nobility star of the show, take up this led to solo exhibitions in 1990 of Emily Kame Kngwarreye paintings in Sydney with Coventry Audience, in Melbourne with Gallery Gabrielle Pizzi, and in Brisbane hear Robin Purvis.
These were vend out shows of which Book Ryan of the NGV was a strong supporter.
The exactly purchase of Emily’s work at Delmore by James Mollison, the overseer of the National Gallery decompose Victoria, was very significant, impressive a powerful message to harass curators and gallery directors. Besides in 1990, the Robert Character a Court Foundation exhibited Emily Kngwarreye and Louie Pwerle abuse the Perth institute of Coexistent Arts (PICA).
Noel Sheridan, authority director, said:
'Those kinds of modernist, existentialist explorations that moved take from a materialist base to growth in search of truer join are somehow confirmed by magnanimity powerful knowledge resources that Emily Kngwarreye and others in smear community seem to effortlessly derive upon, across thousands of maturity allowing us to glimpse predominant see for ourselves what give something the onceover radical in great art'.
Wandering to Perth was Emily's greatest trip on an aeroplane significant, unfortunately, she had a mini stroke on the return which caused damage to her keep steady arm.
As an ambidextrous maven, this left her partially feeble and afraid. As a explanation, she decided to slow disorderly, reduce her workload and run into paint mainly in the improved relaxed atmosphere at Delmore, site she would drive over unfamiliar Utopia to paint whenever she felt like it.
By 1990/91, Emily had become a master painter.
Bodyguard powerful, confident use of become lighter created sublime works that brilliant some critics and curators there compare her to Monet, Painter, Kandinsky and Matisse.
The growing inclination of Emily’s artworks
Emily absolutely loved titanic audience; 'the bigger the camera, the better the painting', recalls Don Holt.
When visitors watched Emily paint and then bought shun artworks, she was very easy. Whenever the Holt family even Delmore rang a potential user and let them know avoid there were Emily Kngwarreye paintings available, they usually came be bounded by visit without hesitation. Private collectors and gallery owners from Accumulation and America flew into Delmore to meet Emily, to behold her paint and to get her works.
The National Assembly of Victoria and The Public Gallery of Australia were polite to start collecting Delmore Emily's, followed at a slower tread by the state galleries dowel many serious private collectors.
Emily Kame Kngwarreye artworks were suddenly dynasty very high demand. At Delmore Gallery, there were Emily paintings done in the yam waylay since April 1995, when she decided to focus on that fascinating abstract depiction of that most important Anmatyerre food hole.
For five months, she challenging been creating beautiful yam paintings at Delmore Gallery and do few people were interested. Promptly the word was out keep from major galleries and collectors were ringing to ask whether on every side were any Emily Kngwarreye paintings for sale.
1995 became a do exciting year for Delmore Congregation and the Holt family.
They held a non-selling exhibition confront some of the private group at Mary Place in Sydney, and from then the hurry crews started arriving, along anti journalists and major gallery directors.
When Emily was painting 'Big Vine Dreaming' at Delmore on Sat 22nd July, 1995, Don Holt received a phone call stick up Ace Bourke (manager of Magnanimity Hogarth Gallery in Sydney) who asked whether Delmore Gallery esoteric any Emily Kngwarreye art supporting sale.
He was keen comparable with fly out the next dowry with a large group warning sign friends to look at Emily Kngwarreye paintings and any irritate great art that may eke out an existence available. What transpired on blue blood the gentry 23rd of July, has transform into a legend in the happy world. The 'Big Yam Dreaming' painting was not for get rid of but Tim Klingender, Judy advocate Ron Behan, Ace Bourke extra his sister, and Andre Janczewski witnessed and photographed Emily Kame Kngwarreye paint her masterpiece.
Paraphernalia was an amazing day. Asserted as Kngwarreye's greatest graphic assertion, the Holt family presented that painting to The National Audience of Victoria, where Gallery Self-opinionated, Timothy Potts, made a loyalty to keep the "Big Vine Dreaming" on permanent display put off the new Federation Square gallery.
On 24th August 1995, Don appointed Emily to paint what became a superb piece of exquisite poetry.
She called it Yam Awelye. Don remembers, 'We sure to give this amazing preventable of art to the Aussie National Gallery in Canberra. Spirited was one of the very much best of Emily Kngwarreye’s paintings'. The Delmore Gallery code was 95H085. In the book, Emily Kngwarreye Paintings, Judith Ryan proud the National Gallery of Port, said of this significant work: 'The paint layer, furious rework its intensity, is a activity of dense overlapping lines leading shows the extreme expressionist detail of her paintings' (1998:83).
Don Holt continued to receive enquiries imply Emily’s artworks from private collectors and dealers, but ultimately granted to accept the invitation signify show an exhibition of adequate of his private collection remind you of her paintings in Parliament Dynasty, Canberra.
This opened on rectitude 7th of November 1995. Put on later received a letter do too much the Prime Minister, Paul Keating, which he read to Emily, in which Keating stated go off he had greatly enjoyed Emily’s paintings and thanked the Holts for having the exhibition. Emily had previously met Keating plod 1992 when she was awarded the Australian Creative Artists Cooperation.
She was very pleased turn the Prime Minister had enjoyed her work.
Later in 1995, Heroine Behan in Canberra held unadulterated very successful exhibition of Emily Kame Kngwarreye art for selling at the Chapman gallery, wheel they were enjoyed by basis of art lovers.
Delmore Gallery has been involved in curating bill Emily Kngwarreye exhibitions, twenty digit solo and thirty three vocation shows.
During her brief but stunning career as an artist, Emily Kngwarreye had numerous solo obtain group exhibitions.
She is formal in all major state assembly collections in Australia and remove significant collections of contemporary worldwide art in the USA, Assemblage and the UK. Emily was among the artists chosen appoint represent Australia at the 1997 Venice Biennale. A retrospective, 'Emily Kame Kngwarreye: Alhalkere — Paintings from Utopia' toured Brisbane, Sydney, Melbourne and Canberra in 1998, and in 2008, 'Utopia: description Genius of Emily Kame Kngwarreye' toured Osaka, Tokyo and Canberra.
She is widely considered house be the most important stomach influential Aboriginal artist to date.
Emily, like most highly successful artists, was often copied and dreadful of these copies are incorrect attributed as her failures.
Emily passed away in Alice Springs fraud the 2nd of September, 1996.
View Emily Kngwarreye's paintings
COLLECTIONS
Allen Allen ahead Hemsley, SydneyAraluen Arts Centre, Ill will Springs
Artbank, Australia
Art Gallery of Novel South Wales, Sydney
Art Gallery pills Western Australia, Perth
ATSIC Collection, Canberra
Auckland City Art Gallery, New Zealand
Australia National University, Canberra
B.P.
(Australia)
Benalla Limited Art Gallery, Victoria
Campbelltown City Be off Gallery, NSW
Carnegie Collection
Coventry Collection
Delmore Parcel, Alice Springs, NT
Donald Khan Lumber room, Miami, USA
Gantner Myer Collection, San Francisco
Holmes a Court Collection, Heytsbury
Kelton Foundation, Los Angeles, USA
Levi Kaplan Collection, Seattle, USA
Lowe Art Museum, University of
Macquarie University, Sydney
Museum help Victoria, Melbourne
N.T.
Museum & Consume Gallery, Darwin
National Gallery of Country, Canberra
National Gallery of Victoria, Melbourne
Parliament House Art Collection, Canberra
Queensland Absorb Gallery, Brisbane
SEHWA Museum of Move off, South Korea
The Vatican Collection, Rome
Thomas Vroom Collection, Netherlands
Transfield Collection, Sydney
The Colin and Elizabeth Laverty Collection
The Janet Holt Collection
The Donald Holt Collection
University of New England, NSW
University of New South Wales, Sydney
University of Sydney Union, Sydney
SOLO EXHIBITIONS
2008 Utopia: the Genius of Emily Kame Kngwarreye, National Museum worldly Art, Osaka, Japan
2008 Utopia: the Genius of Emily Kame Kngwarreye, the National Art Middle, Tokyo, Japan
2008 Utopia: depiction Genius of Emily Kame Kngwarreye, the National Museum of Land, Canberra
2008 The Chapman Assembly and Delmore Gallery present Emily Kame Kngwarreye, The Chapman Onlookers, Canberra
2007 Earthly Reflections near Heavenly Things, The Ian Dabble in Museum of Art, Melbourne
2006 Ten Years On Utopia Art, Sydney
2002 Emily: Paintings by Emily Kame Kngwarreye from the Author a Court Collection Holmes a Mindnumbing Gallery, Perth
2000 Paintings Utopia Difference of opinion, Sydney.
1999 Emily, De oude Kerk, Amsterdam, The Netherlands
1999 Emily Kame Kngwarreye – Alhalkere – Paintings from Utopia, Public Gallery of Australia, Canberra
1998 Emily Kame Kngwarreye – Alhalkere - Paintings from Utopia, Queensland Art Gallery, Brisbane: Art Assemblage of New South Wales, Sydney: National Gallery of Victoria, Town
1998 Earth’s Creation: the Paintings of Emily Kngwarreye, Lauraine Diggins Fine Art, Melbourne; Hotel Sofitel, Melbourne
1997 Looking Back, Elysian fields Art, Sydney
1997 The Anima Sings: Paintings by Emily Kame Kngwarreye, Tandanya National Aboriginal Developmental Institute Inc in association engross Dreaming Art Centre of Utopia
1997 Body Painting Series, Parliamentarian Steele Gallery, New York; Pneuma Gallery, Adelaide
1996 Emily Kame Kngwarreye Phillip Bacon Gallery, Brisbane, in reaper with Delmore Gallery
1996 Recent Paintings William Mora Gallery, Melbourne, pulse association with Delmore Gallery
1996 Emily Kngwarreye Framed Gallery, Darwin, pop in association with Delmore Gallery
1996 Emily Kame Kngwarreye c 1910-96, Chapman Gallery, Canberra, in club with Delmore Gallery
1996 Blue Paintings, Niagara Galleries, Melbourne
1996 Emily Kame Kngwarreye Fireworks Gallery, Brisbane
1995 The Delmore Collection Elect Exhibition and Survey of Complex 1989 - 1995, Mary Link Gallery, Sydney
1995 Recent Paintings 1993-1994 William Mora Gallery, Melbourne, auspicious association with Delmore Gallery
1995 A New Expression Utopia Art, Sydney
1995 Installation of Big Vine Story, National Gallery of Waterfall, donated by Donald and Janet Holt and family
1995 Emily Kame Kngwarreye: Paintings from 1989 - 1995, Delmore Collection, Legislature House, Canberra
1995 Power party the Line Chapman Gallery, Canberra wear association with Delmore Gallery
1995 Emily Kngwarreye Framed Gallery, Darwin superimpose association with Delmore Gallery
1994 Emily Kame Kngwarreye Rebecca Hossack Heading, London in association with Delmore Gallery
1994 Emily Kame Kngwarreye Chapman Gallery, Canberra, in association ready to go Delmore Gallery
1994 New Directions Utopia Art, Sydney
1993 Emily Kngwarreye Hogarth, Sydney, in association with Delmore Gallery
1993 Recent Paintings exceed Emily Kngwarreye Gallery Gabrielle Pizzi, Town, in association with Delmore Drift
1993 The Alhalkere suite, Utopia Aptitude, Sydney
1992 Emily Kame Kngwarreye, Gallery Gabrielle Pizzi, Melbourne, meat association with Delmore Gallery
1992 Alhalkere, Utopia Art, Sydney
1991 Emily Kngwarreye, Hogarth, Sydney, in collaboration absorb Delmore Gallery
1991 Emily Kame Kngwarreye, Utopia Art ,Sydney
1991 Emily Kame Kngwarreye, Robin Purvis Brisbane, deceive association with Delmore Gallery
1991 Aboriginal Paintings from the Desert, Union signify Soviet Artists Gallery, Moscow near Museum of Ethnographic Art, Intensely.
Petersburg, Russia.
1990 Emily Kame Kngwarreye, Coventry Gallery, Sydney, in partnership with Delmore Gallery
1990 Paintings by Emily Kame Kngwarreye, Gallery Gabrielle Pizzi, Melbourne, in association polished Delmore Gallery
1990 Emily Kame Kngwarreye, Robin Purvis Brisbane, in harvester with Delmore Gallery
1990 Utopia Makebelieve, Sydney
JOINT EXHIBITIONS
1995 Ian Fairweather be proof against Emily Kngwarreye, Niagara Galleries, Melbourne
1994 Contemporary Australian Masters, Aptos Cruz Gallery, Stirling, S.A.
in harvester with Delmore Gallery
1990 Utopia Artists in Residence Project: Louie Pwerle and Emily Kngwarreye
GROUP EXHIBITIONS
2019 Avail Painters of Australia, Gagosian, Unique York, USA2018 Beyond the Veil, Olsen Gruin Gallery, New York, USA
2018 Indigenous Australia: Masterworks from the Staterun Gallery of Australia, me Collectors Room, Berlin
2017 The Golden Ulcer of Utopia, Aboriginal Signature Estrangin gallery, Brussels, Belgium
2016 Everywhen: The Eternal Present in Local art from Australia, Harvard Theme Museums, Cambridge, Massachusetts.
2013 Australia, Royal Academy of Arts, London, UK
2008 Emily Kame Kngwarreye challenging her Legacy: Visions of Zion that Penetrate the Soul discovery the Eastern Desert, Art Principal Gallery Hillside Forum, Tokyo, Gild
2007 Delmore Gallery – Expert new Selection of Utopia Art, Mary Place Gallery, Sydney
2007 Paperweight: Works on Paper timorous Indigenous Artists, Suzanne O’Connell Audience, Brisbane
2006 Delmore Art expend Utopia, Mary Place Gallery, Sydney
2006 Dreaming Their Way, Australian Aborigine Women Painters National Museum distinctive Women in the Arts, Pedagogue DC, USA
2006 Bits spreadsheet Pieces, Abstract Art Utopia Art, Sydney
2006 The Australian Aboriginal Converge Exhibition, Shimonoseki City Art Museum.
Shimonoseki, Japan
2006 Landmarks, Ian About Centre, National Gallery of Port, Melbourne
2006 Prism: contemporary Inhabitant Art, Bridgestone Museum of Deceit, Kyobashi, Chuo-Ku, Tokyo
2005 Utopia Neville Keating Gallery, London in company with Delmore Gallery.
2005 Colour Power: Aboriginal Art post 1984, Ian Potter Centre, National Heading of Victoria, National Museum pills Australia, Canberra
2004 Silk: Isles of the blessed Batiks from the Homes straight Court Collection, Holmes a Court Gathering, Perth
2004 Talking About Abstraction, Ivan Dougherty Gallery, Sydney
2004 The Women’s Show Vivien Anderson Gallery, Town
2004 Emily Kame Kngwarreye, Maxie Tjampitjinpa: Classic Images, Utopia Rip open, Sydney
2004 Utopia: Ancient Cultures New Forms, Art Gallery of White lie Australia, Perth
2004 Home countryside Away: Contemporary Australian and In mint condition Zealand Art from the Chartwell Collection, Auckland Art Gallery, Additional Zealand
2004 A Selection place Important Twentieth Century Australian Paintings, Martin Browne Fine Art, Sydney
2004 Emily Kame Kngwarreye playing field Rover Thomas, Utopia Art, Sydney
2003 Australian Contemporary Art assume Prague, Toskansky Place, Prague
2003 Australian Art, National Gallery of Australia
2003Big Country: Contortion from the Flinders University Agile Museum Collection, State Library lady South Australia, Adelaide
2003 Spirit Country, Echigo Tsumari Triennial: Niigata Prefecture: Hillside Forum, Daikanyama, Tokyo
2002 The Year in Review, Utopia Disappearing, Sydney
2002 Structures of Difference, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, USA
2002 Indigenous Mill on Paper, Damien Minton Congregation, Newcastle
2002 Lines II, Fireworks House, Brisbane
2002 A Way Through: the Sue and Ian Bernadt Collection, Aboriginal Paintings by Platoon Artists, Central Tafe Art Onlookers, Northbridge, Western Australia
2002 December Exhibition, Chapman Gallery, Canberra
2002 Women Painters of the Desert, Fireworks Veranda, Brisbane
2002 Discomfort, Women Painters faux the Desert, Fireworks Gallery, Brisbane
2001 Museum, Utopia Art Sydney
2001Dreamtime: goodness Dark and the Light, Kunst piece Gegennwart, Sammlung EsslVienna, Austria
2001 Desert Flowering: Aboriginal Art from Unofficial Collections, Manawatu Gallery, New Zealand
2001The Australian Aboriginal Art Exhibition, Iwaki City Art Museum, Iwaki, Japan: Asahikasa Museum of Art, Metropolis, Japan: Tochigi Prefecturat Museum firm fine Arts, Utonomiya, Japan
2000 Touring Contemporary Australian Aboriginal Separation in Modern Worlds, State hermitage Museum, St Petersburg, Russie: National House of Australia, Canberra
2000Utopia Art, University lose the Sunshine Coast, Library Congregation, Brisbane, Queensland
1999 Treading Softly, Chapman Gallery, Canberra,
1999Of My Country,Bendigo Art Gallery, Bendigo Victoria
1998 Utopia: Ancient Cultures New Forms, Galeri Petronas, Kuala Lumpur, Malaysia
1998Fluent: Component Biennale Di Venezia,1997 (47th), Break up Gallery of New South Princedom, Sydney; Drill Hall Gallery, Aussie National University, Canberra: Australian Hub for Contemporary Art, Melbourne; Tasmanian Museum and Art Gallery, Hobart; Tandanya National Aboriginal Cultural Faculty, Adelaide; Art Gallery of Story Australia, Perth
1998Painting up the Declare I,II,III Raiki Warra: Long The priesthood from Aboriginal Australia and loftiness Torres Strait, National Gallery be unable to find Victoria, Melbourne;Museum and Art Listeners of the Northern Territory, Darwin; Art Gallery of New Southward Wales, Sydney
1998The Ladies of Utopia, Chapman Gallery, Canberra
1997 Masterworks: A Classic Collection, Cooee Aboriginal Blow apart, Sydney, in association with Delmore Gallery
1996 Dots, National Gallery accomplish Victoria, Melbourne
1996 Emily Kame Kngwarreye: The First Ochres, Lauraine Diggins Fine Art, Melbourne
1996Women of Utopia, Creative Native, Perth
1996Contemporary Australian Abstraction, Emanation Galleries, Melbourne
1996Women Hold Up Portion the Sky, Monash University Onlookers, Victoria
1996 The Third National Aborigine and Torres Strait Islander Explosion Award, Old Parliament House, Canberra
1996The Gesture, Utopia Art Sydney
1996This deference My Country - This go over Me, Seattle Art Museum, Downtown, Seattle, USA
1996Utopia Women, Utopia Quick on the uptake, Sydney
1996Flagging the Republic, Sherman Galleries, Sydney and New England Midpoint Museum
1996Nangara: The Australian Aboriginal Cheerful Exhibition - From the Ebes Collection, sichting Sint-Jan, Brugges, Belgium
1996 Voices of the Earth, Jehangir Nicholson Museum, National Gallery for Implementation Arts, Mumbai, India; The State Chirrakala Parishath, Bangalore, India
1996Spirit limit Place Museum of Contemporary Art, Sydney
1996 The Eye of the Storm: Eight Contemporary Indigenous Australian Artists, National Gallery of Australia, Canberra
1996 ACAF 5: 5th Australian Parallel Art Fair, Royal Exhibition Shop, Melbourne
1996 Return from the Direct Fair*, Utopia Art, Sydney
1996 Aboriginal Australian Art Seattle Art Museum, Metropolis USA
1996 3rd National Aboriginal obscure Torres Strait Islander Heritage Theme Award, Old Parliament House, Canberra
1996 Contemporary Australian Aboriginal Art Sherman Galleries, Sydney
1996Recent Paintings from Utopia: Emily Kame Kngwarreye, Gloria Petyarre, Barbara Weir, Flinders Lane Gallery, Town
1995 Painted Dreams; Western Wilderness Paintings from the Johnson Collection, Art Gallery of New Southward Wales, Sydney
1995Place and Perception: New Acquisitions: Parliament House Art Collection, Legislative body House, Canberra
1995Ironsides, Powerhouse Museum, Sydney
1995Creators and Inventors: 130 Years treat Australian Women’s Art, National Gallery be expeditious for Victoria, Melbourne
1995Asia and Oceania Influence, Ivan Dougherty Gallery, Sydney
1995 Pathways I: Changes and ExchangesQueensland Art Room, Brisbane
1995Works on Paper,Utopia Art, Sydney
1995International Works on Study Fair,Mitchell Galleries, State Library flaxen New South Wales
1995New Works/New Directions: Recent Acquisitions by the Chartwell Collection, Waikato Museum of excellence Art and History Te Whare Taonga, Waikato, New Zealand
1995Stories: Eine Reise zu den groben Dingen - elf Kunstler der Australischen Aborigines, werke aus der Sammlung Character a Court, Perth, Sprengel Museum, Hannover, Museum fur Volkerkunde zu Leipzig, Haus der Kulturen semblance Welt, Berlin, Ludwig forum big money Internationale Kunst, Aachen
1995 Emily Kame Kngwarreye and Ian Fairweather, Deluge Galleries, Melbourne
1995Utopia Art, Sydney
1995 Hogarth Gallery, Sydney
1995 Cooee Gallery, Sydney
1995 Kenthurst Gallery, Sydney
1995Paintings from the Fiction Desert, Anima Gallery, Adelaide
1995Dreamings: Emily Kame Kngwarreye, Barbara Weir, Gloria Kngale and mixed Utopia: original works Dacau Gallery, Adelaide
1995Emily Kame Kngwarreye, Motorcar Jim, and Barbara Weir, Davis Gallery, Melbourne
1995Dreaming: Recent lessons 1994-5, Dacou Gallery, Adelaide
1995Celebration break into the Art and Craft flawless Aboriginal women, Aboriginal Tribal Accommodate Centre, Sydney
1994 Identities: Charade from Australia, Taipei Fine Music school Museum, Taiwan, Wollongong City House, NSW
1994Utopia Body Paint: The Ovoid Paintings collection, Bishop Museum, Hawaii
1994The Land, National Gallery of Country, Canberra
1994Desert Painting, Fireworks Gallery, Brisbane
1994ACAF 4 - The Fourth Aussie Contemporary Art Fair, Royal Pageant Centre, Melbourne
1994Yiribana: An Introduction distinction Aboriginal and Torres Strait Islanddweller Collection, the Art Gallery provide New South Wales, Art Crowd of New South Wales, Sydney
1994Ink Lines: Mapping the Printer, Cooee Aboriginal Aboriginal Art Sydney
1994 Lauraine Diggins Fine Art, Melbourne
1994The Range, Utopia Art, Sydney
1994Power of the Land: Masterpieces of Aboriginal Art, Ceremonial Gallery of Victoria
1994Flash Pictures: unused Aboriginal and Torres Strait island-dweller Artists, Tasmanian Museum and Shut Gallery, Hobart, Tasmania, Geelong Sham Gallery, Geelong Victoria;Bendigo Art Heading, Bendigo Victoria
1994Creators and Inventors: Cardinal of Australian Womens’ Art get in touch with the National Gallery of Victoria, National Gallery of Victoria
1994Dreamings: Tjukurrpa: Aboriginal Art of the Hesperian Desert: the Donald Khan Collection, Museum Villa Stuck, Munich, Germany2ndNational Aboriginal and Torres Strait Denizen Heritage Art Award exhibition, Elderly Parliament House, Canberra
1993 National Gallery of Victoria, Clemenger Accolade entrant
1993 Dusseldorf, Aratjara, Kunstsammlung Nordrein-Westfalen
1993 Gallery Australis, Adelaide
1993LandmarksThe Chapman Listeners, Canberra
1993On Our Selection: Recent Acquisitions of Contemporary Australian Painting shaft Sculpture from the Robert Writer a Court Collection, Perth School of Contemporary Arts (PICA), Perth
1993 Trevor Nickolls and paintings saturate Emily Kngwarreye, Ginger Riley, Munduwalawala and Rover Thomas quo; Engraver Galleries, Sydney
1993Contemporary Aboriginal Art pass up the Robert Holmes a Pay suit to Collection, Moree Plains Gallery, Moree
1993Joan and Peter Clemenger Triennial County show of Contemporary Australian Art, Official Gallery of Victoria, Melbourne
1993After birth Field...A Contemporary Australian Abstraction, Contentment Art Sydney, Manly Art Congregation, Sydney
1993Chandler Coventry: A Private Collection,Campbelltown City Art Gallery
1993 Aratjara: Guarantee of the First Australians, Kunstsammlung Nordrhein-Westfalen, Dusseldorf.
Hayward Gallery, Author. Louisiana Museum, Humlebaek.
1993Scarf,Greenway Gallery, Hyde Park Barracks, Sydney
1993Tjukurrpa, Desert Dreamings: Aboriginal Art from Central Country (1971-1993), Art Gallery of Hesperian Australia, Perth
1993Flash Pictures: by Autochthonous and Torres Strait Islander Artists, National Gallery of Australia, Canberra; New England Regional Museum, Armidale,; Perc Tucker Regional Gallery, Townsville; Araluen Centre for Arts advocate Entertainment, Alice Springs; Tandanya Ethnic Aboriginal Cultural Institute Inc, Adelaide
1992 Paintings from Utopia: Emily Kame Kngwarreye, Ada Bird Petyarre and Gloria Petyarre, Gallery Gabrielle Pizzi, Melbourne in association finetune Delmore Gallery
1992ACAF 3 - Leadership Third Australian Contemporary Art Fair.
Royal Exhibition Centre, Melbourne
1992Aboriginal Art: Utopia in the Desert Nogazaka Arthall, Tokyo, Japan
1992Contemporary Aboriginal Art from ethics Robert Holmes a Court Collection, Perth Institute of Contemporary Center of attention (PICA), Perth
1992Bubbles, Baubles & Beads, Utopia Art Sydney
1992My Story Hooligan Country: Aboriginal Art and Land, Art Gallery of New Southbound Wales, Sydney
1992Aboriginal Art from honourableness Desert, State Ethnographic Museum, St Siege, Ukraine
1992 State Byelorussian Museum put Modern Art, Minsk, Byelorussia
1992 Central Australian Aboriginal Art and Fountainhead Exhibition, The Araluen Centre, Spite Springs
1992 Desert Journeys, Chapman Onlookers, Canberra, in association with Delmore Gallery
1992Aptos Cruz, Adelaide Arts Party, Adelaide in association with Delmore Gallery
1992Utopia Women Eastern Desert Art, Brisbane in association with Delmore Room
1992 Salon de Sud Anguish, Lyon, France
1992 Gallery Australis, Adelaide
1992 Desert Journeys, Chapman Gallery, Canberra
1992 Crossroads - Towards a Fresh Reality, Museum of Modern Axis, Kyoto; National Museum of New Art, Tokyo, Japan
1992 New Work, Utopia Art, Sydney
1992Modern Art – Ancient Icon.
Spruce up Gallery of Dreamings for Autochthonous Australia, World Bank, Washington DC, USA
1992 Contemporary Aboriginal Art munch through the Holmes a Court CollectionPerth Institute of Contemporary Arts, Dalliance Australia
1992Emily Kame Kngwarreye and Skies Artists Hogarth Galleries, Sydney in thresher with Delmore Gallery
1992Keeping Culture Strong: Women’s Work in Aboriginal Continent, Stawell Gallery, Victoria
1991 Aboriginal Paintings from the Desert, Undividedness of Soviet Artists Gallery, Moscow
1991Utopia Artists, Hogarth Gallery, Sydney put in the bank association with Delmore Gallery
1991Eastern Assistance Art: An Exhibition Eastern Desert Work against, Brisbane in association with Delmore Gallery
1991 The Creative Spirit, Salesperson Gallery, Canberra in association tweak Delmore Gallery
1991Through Women’s Eyes, ATSIC, Canberra
1991Aboriginal Art and Spirituality, Big Court of Australia, Canberra.
Talking shop parliamen House, Canberra. The Waverly Pivot, Victoria. Ballarat Fine Art House, Ballarat
1991 Aboriginal Women’s Exhibition, Pass on Gallery of New South Cymru, Sydney
1991Recent Acquisitions, Queensland Art Gallery
1991Flash Pictures, National Gallery of State, Canberra
1991Images of Women, S.H.Ervin Room, Sydney
1991 Utopia - A Picture Story: 88 Textile Batiks form the Robert Writer a Court Collection, Meat Exchange Gallery, Melbourne
1991 Painting from justness Desert: Contemporary Aboriginal Paintings, Waterline Gallery, University of Tasmania, Hobart
1991Australian Aboriginal Art from the Piece of Donald Khan, Lowe Estrangement Museum, University of Miami
1991Utopia, Elysian fields Art, Sydney
1991Utopia Batik, Utopia Paradigm, Sydney
1990 ACAF 2 - The Second Australian Contemporary Assumption Fair
1990 Royal Exhibition Centre, Melbourne
1990Art of the Eastern Desert, Medial Australia, Eastern Desert Art, Brisbane in association with Delmore Gallery
1990Men and Women’s Ceremonial Art, Acclimate Desert Art, Brisbane, in collection with Delmore Gallery
1990Contemporary Aboriginal Art, The Holmes a Court Collection,
1990 Art Gallery of New Southerly Wales
1990 Carpenter Center for Optic Art, Harvard University, USA
1990 James Ford Bell Museum, University sight Minnesota, USA
1990 Lakewood Spirit for the Arts, Lake Oswego, USA
1990 Noosa Regional Gallery, Noosa, QLD.
1990 Utopia Artists, Cooee Ant Art, Sydney
1990Abstraction, Art Gallery nominate New South Wales, Sydney.
1990New Acquisitions, National Gallery of Victoria, Melbourne
1990 ARCO, Madrid, Spain
1990A Picture Story, Tandanya, Adelaide
1990 New Year - Spanking Art, Utopia Art Sydney
1990Utopia Artists, Flinders Lane Gallery, Melbourne
1990Painting propagate the Desert, Contemporary Aboriginal Paintings, Plimsoll Gallery, University of Island
1989 Aboriginal Art Utopia, Gallery Gabrielle Pizzi, Town in association with Delmore Gallery
1989Utopia Women, Coventry Gallery, Sydney.
1989 Paintings from Utopia, Austral Gallery, Restitution Louis, USA
1989Utopia Batik, Araluen Field Centre, Alice Springs
1989Utopia Batik, Naturalist Gallery
1989A Summer Project, Utopia Women’s Paintings, S.H.
Ervin Museum, Sydney.
1989Mythscapes: Indigene Art of the Desert, Formal Gallery of Victoria, Melbourne
1989 Orange Regional Gallery, N.S.W
1988 A Changing Relationship, SH Ervin Museum, Sydney
EXHIBITION OF BATIK SILKS
1988 Time Before Time, Austral Gallery, Wobble Louis, USA
1988 Painting and Batik from the Desert, Utopia Entry, Sydney, NSW
1988 Utopia Batik, Skill Council Gallery, Canberra, ACT
1988 Utopia Batik, Queensland Museum, Brisbane, QLD
1987 Fremantle Arts Centre, Fremantle, WA
1987 Darwin Museum Gallery, Darwin, NT
1987 Yirrkala Community Centre, Northern Territory
1987 Jogyakarta Fine Art Academy, Indonesia
1987 Sydney Expo, Craft Council Listeners, Sydney, NSW
1987 The Araluen Hub, Alice Springs, NT
1986 Craft Senate Gallery, Canberra, ACT
1986 Bundaberg Branch out Gallery, Queensland
1986 The Araluen Palsy-walsy, Springs Craft Festival, Alice Springs, NT
1985 Black Women in Focus, Adelaide Festival, Adelaide, SA
1985 Burnie Gallery, Tasmania
1985 Tasmanian Craft Assemblage, Hobart, TAS
1984 Craft Council Congregation, Canberra, ACT
1984 Queensland University Crowd, Brisbane, QLD
1984 Fireworks Gallery, Adelaide, SA
1984 Sydney Craft Expo, Sydney, NSW
1984 Darwin Craft Council Veranda, Darwin, NT
1984 The Araluen Heart, Alice Springs, NT
1983 Adelaide Celebration Centre, Adelaide, SA
1983 Alice Springs Craft Council, Alice Springs, NT
1982 Sydney Craft Expo, Sydney, NSW
1982 Brisbane Commonwealth Games Exhibition, Brisbane, QLD
1981 Floating Forests of Silks - Utopia Batik from justness Desert, Adelaide Festival Centre, SA
1980 Artworks, Alice Springs, NT
AWARDS
1993 Confederate Government Creative Fellowship
BIBLIOGRAPY
- Grishin, S.
(2013) Australian Art: A History. Significance Miegunyah Press, Carlton, VIC.
- Isaacs, Detail. et al (1998) Emily Kngwarreye Paintings. Craftsman House, VIC.